On 20/04/13 21:33, Len Ovens wrote:
I went (mostly) for fairly simple drumming on this and it was a bit
difficult to know where to put the boom and the chick with it not being
I guess the fact that it just felt a bit different but didn't scream odd
time signature suggests I was successful -- I always try to make things
feel natural and not draw attention to the "oddness".
>> I've not consciously done anything different with my drum processing --
Over-use of reverb is something one sees fairly consistently mentioned
as a give-away for an amateur mix. Of course, I suspect there's a wide
range of wetness that would be acceptable and just accounted for by
different tastes before you start getting into the "definitely too much"
I've just re-opened my session to look at the drum processing. Normally,
I only ever use EQ subtractively, but I used a new tool that didn't
always allow that. But I think it's all fairly basic high-passing
(usually aggressively so on cymbals), scooping out the mids, maybe a bit
of a low end tip on the drums, rolling off a bit of high-end on the
snare (I don't like them too crispy), maybe a bit of a high end lift on
the cymbals, that sort of thing.
> I haven't really tried out A3 yet, I am still working with A2 as my DAW. I
Normally, the only thing I use midi for is over USB to control
LinuxSampler or Hammond and Mellotron virtual instruments. I only have
three synths with midi capability, everything else pre-dates it. Like
you, I record audio played live.
However, I did have to use Ardour's midi capabilities as Hydrogen and
Ardour wouldn't play along nicely, with a weird phasing issue on cymbals
at tempo changes. So, I exported a midi file from H2, imported it into
A3 and drove H2 from Ardour to record the audio.
I've seen people say that "limitless" tracks is a curse, people just
pile on many more layers to the detriment of the music. I might be
partially guilty of that, but I do feel some genres demand more and it
certainly isn't helped by working with non-programmable monophonic
synths to build sounds. I have just counted the tracks and busses...
yikes, 100! Many of those are disabled and others are bounces of three
or four of the disabled ones. I always feel very limited by processing
power as a mix draws to a close :-)
Anyway, thanks for listening.
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