When sounds are competing in the mix, the frequently given advice is
usually to carve out frequency ranges for them with EQ.
But what do you do when its a thick analog keyboard part that spans a
4-octave range, and the range it's playing is the whole musical point of
it? What do you do for those parts that won't fit in an EQ shoebox?
+ Brent A. Busby + "We've all heard that a million monkeys
+ Sr. UNIX Systems Admin + banging on a million typewriters will
+ University of Chicago + eventually reproduce the entire works of
+ James Franck Institute + Shakespeare. Now, thanks to the Internet,
+ Materials Research Ctr + we know this is not true." -Robert Wilensky
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