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Content-Type: text/plain; charset=UTF-8If you are using mp3 as the guide track, it is good practice for the guide
track to include sync tones. You can copy/paste these into your exported
wav of your guitars or whatever and then accurate alignment with the
original session is possible.See:
http://www.kompoz.com/compose-collaborate/sync.learn.music
James
On Feb 12, 2013 9:44 AM, "Lorenzo Sutton" wrote:> On 11/02/13 20:35, Aaron L. wrote:
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If you are using mp3 as the guide track, it is good practice for the gui=
de track to include sync tones. You can copy/paste these into your exported=
wav of your guitars or whatever and then accurate alignment with the origi=
nal session is possible.
See:
h=
ttp://www.kompoz.com/compose-collaborate/sync.learn.music
James
On Feb 12, 2013 9:44 AM, "Lorenzo Sutton&qu=
ot; <lorenzofsutton@gmail.co=
m> wrote:
On 11/02/13 20:35, Aaron L. wrote:
OK.....
Friend sends rough mix of drums and bass in mp3 form.
Tells me to record new guitars to this.....(he expects a wav file in return=
).
Are you expected to return only the guitars you record or the whole 'mi=
x'? In the former case you might bear with the quality loss introduced =
by encoding to mp3, especially if the bitrate is not too low (I guess at le=
ast 256kps). In the latter case I would politely ask your friend to send yo=
u a lossless version of the file(s) - e.g. wave or flac.
Lorenzo.
This "master in mp3 form" makes me a bit nervous. =C2=A0Why?
Because I don't know enough about the mp3 encoding process.........
Is it "lossy" simply because it rounds-off stuff?
Or does it actually drop samples (like various lossy video encoders?)
If so, the wav file that I send him could get weird sample-wise when he imp=
orts it into the "real" session, no?
Am I picking nits here?
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