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Wow... Really like the song, man. Thank you so much for sharing.
Hey, if you're interested, I liked this so much, I'd love to give it a try
recording acoustic drums with it... (I run a recording studio based
entirely off Linux, and have been drumming for 20 years). If you wouldn't
mind, could I get a copy of the tracks, to mess around with it? *Great*
vocals, man. Just great. Loved it.
Let me know.
On Sun, Jun 10, 2012 at 8:35 PM, Ken Restivo wrote:
> On Sun, Jun 10, 2012 at 12:25:01PM -0400, Ricardus Vincente wrote:
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Wow... =C2=A0Really like the song, man. =C2=A0Thank you so much for sharing=
.Hey, if you're interested, I liked this so much, I=
'd love to give it a try recording acoustic drums with it... =C2=A0(I r=
un a recording studio based entirely off Linux, and have been drumming for =
20 years). =C2=A0If you wouldn't mind, could I get a copy of the tracks=
, to mess around with it? =C2=A0*Great* vocals, man. =C2=A0Just great. =C2=
Let me know.Thanks!--Jasonwww.advancedbudgetstudios.com
On Sun, Jun 10, 2012 at 8:35 PM, Ken Restivo <email@example.com> wrote:
On Sun, Jun 10, 2012 at 12:25:01PM -0400, Ricardus Vincen=
Recently a friend attempted to lure me out of musical retirement by asking =
me to help mix a record. (It was kind of fun, but, alas, I've lost my t=
aste for the detail work, like cutting and tweezing and trimming individual=
syllables out of vocal tracks, etc).
Apparently the trend nowadays in indie pop is to drown entire mixes in reve=
rb (and use old analog tape, so the mix sounds like you're hearing it t=
hrough thick wall of gauze).
On sparse mixes I like ambience, or if the song's feel calls for it, bu=
t if there's a lot going on in the mix, I tend to reduce the reverb to =
asymptotically approaching zero. That was not what the guy wanted, so I don=
't think I'll be doing much mixing for anyone.
Analog fetishism, on the other hand, has been discussed here at length many=
times, and I don't intend to rehash it. However, after recently listen=
ing to Wish You Were Here, I was struck with how much time, work, and money=
the Abbey Road/EMI engineers put into making analog tape sound as clear ba=
ck as digital can get now-- even the cheapest consumer digial gear today ca=
n get that clean today.
In matters of art and taste, one can't really argue.
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