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On Wed, May 16, 2012 at 10:13 AM, Brett McCoy  wrote:
>

quoted text
> And then there was Carl Stalling, who wouldn't even wait for the final

> edits of the cartoons he wrote for. He'd just compose against the

> x-sheets the animators used, the timings worked out by the director

> were so precise and detailed.

>

This is exactly what I am doing for SFX design for tube in phase 1

actually.  When I started about 3/4 of the shots there wasn't any animation

for, just storyboards.  Now that is significantly down, but I am often

still laying in sounds with just basic timings and ideas of animations at

best.
Not quite the same as composing, but in some ways not to different either.

I just need to write a SFZ to handle foley noises etc. sometime:)
           Seablade
PS 2 hours left on Tube's Kickstarter:)
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On Wed, May 16, 2012 at 10:13 AM, Brett =

McCoy <idragosani@gmail.com> wrote:
And then there was Carl Stalling, who wouldn't even wait for the final<=

br>

edits of the cartoons he wrote for. He'd just compose against the

x-sheets the animators used, the timings worked out by the director

were so precise and detailed.This is exactly wha=

t I am doing for SFX design for tube in phase 1 actually.=A0 When I started=

 about 3/4 of the shots there wasn't any animation for, just storyboard=

s.=A0 Now that is significantly down, but I am often still laying in sounds=

 with just basic timings and ideas of animations at best.

Not quite the same as composing, but in some ways not to different eith=

er.=A0 I just need to write a SFZ to handle foley noises etc. sometime:)=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 SeabladePS 2 hours left on Tube=

's Kickstarter:)
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