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Content-Type: text/plain; charset=ISO-8859-1Hey Julien!
As always, thank you very much for your feedback! I agree with you about
the strings, and it'd probably sound quite different if it was done again
now. I'll carry that with me for the future, and do some extra strings! ;)Thank you very much, it makes me very glad that you've liked all versions
of this song (this is the last one though, but the number of versions of it
is a nice testament to how much that first song ment to me really =))On Tue, Dec 11, 2012 at 7:33 PM, Julien Claassen wrote:
> Hello Gabbe!
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Hey Julien!As always, thank you very much for your feedback! I agre=
e with you about the strings, and it'd probably sound quite different i=
f it was done again now. I'll carry that with me for the future, and do=
some extra strings! ;)
Thank you very much, it makes me very glad that you've liked all ve=
rsions of this song (this is the last one though, but the number of version=
s of it is a nice testament to how much that first song ment to me really =
=3D))
On Tue, Dec 11, 2012 at 7:33 PM, Julien Claa=
ssen <julien@mail.upb.de> wrote:
Hello Gabbe!
=A0 I have liked this song in all its versions, which includes this one. Ve=
ry wide. I can't really decide, if this is purely Scandinavian or Calif=
ornio-Scandinavian. Though you again preserved the wideness of the atmosphe=
re, the space, in which emptiness can be thinned out. Though, where the str=
ings came in, I yearned for more Hollywood at some point. More strings, one=
more harmony and then spread through the stereo panorama. but I just can&#=
39; help liking it big, dramatic and extreme. :-)
=A0 thanks for sharing this. It's a good thing, you found the time and =
motivation to finish this piece.
=A0 Warm regards
=A0 =A0 =A0 =A0 Julien
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http://=
juliencoder.de/nama/music.html
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