On 27 January 2012 17:48, Rustom Mody wrote:
Unfortunately I'm not very musically literate...oops... but an example
would be C-Major, with C as the key, and major as the scale (
So is there a use case for say one part (ie woodwind) in a composition
outputting notes of one key/scale while another part (ie strings)
simultaneously outputs notes of some other key/scale?
I'm wondering how people would rate the importance of being able to do that.
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