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Of course it's possible and some companies do. But generally if they do the=
y will model it on a well known and loved analogue desk and have it plaster=
ed all over their advertising in big letters. For example Propellerhead's R=
ecord which has a channel strip based on SSL.
But again=2C at unit gain input and all EQ flat even desks like this will b=
e designed to be as flat and transparent as possible. There will always be =
some noise=2C there will be some kind of analogue compression on overdriven=
signals (rather than digital distortion of integer math or infinite headro=
om of floating point math) but the main difference will be it's a channel s=
trip and the sound of the EQ and Dynamics (compressor) which are included i=
n the channel strip=2C rather than the summing involved.
=
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>=3B >=3B When you connect a multi-track tape deck=
's outputs to the track inputs>=3B of a mixing desk=2C don't the sign=
als pass through all that complex>=3B processing? Therefore=2C a pla=
usible DAW implementation could attempt>=3B to do something more than=
A+B=3DC.>=3B Of course it's possible and some companies do. =
But generally if they do they will model it on a well known and loved analo=
gue desk and have it plastered all over their advertising in big letters. F=
or example Propellerhead's Record which has a channel strip based on SSL.But again=2C at unit gain input and all EQ flat even desks like this =
will be designed to be as flat and transparent as possible. There will alwa=
ys be some noise=2C there will be some kind of analogue compression on over=
driven signals (rather than digital distortion of integer math or infinite =
headroom of floating point math) but the main difference will be it's a cha=
nnel strip and the sound of the EQ and Dynamics (compressor) which are incl=
uded in the channel strip=2C rather than the summing involved. =
=
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