linuxaudio.org

On Tue, Mar 30, 2010 at 02:37:20PM -0700, Mark Knecht wrote :

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> On Sun, Mar 28, 2010 at 3:30 PM, Ken Restivo  wrote:

> > We're almost done with a 12-track, 40-minute-long CD, recorded partially in Ardour and mixed entirely in Ardour.

> >

> > We should probably get it mastered. However, "pro" mastering houses want like 0 for a CD. We haven't made that much money in a year. I think we spent a total of  on recording it. So, not likely that we'll be justify big bucks to get it mastered.

> >

> > I suppose I could run it through Jamin myself, and just hope for the best, but I don't know squat about mastering.

> >

> > Are there any Linux-based mastering engineers around (i.e. on this list) who'd want to take on a project like this, for a rate that we might be able to actually justify?

> >

> > -ken

>

> Hi Ken,

>    First, good luck with your work. I hope it all comes out well.

>

>    I guess I'm sort of the odd man out here. I see mastering a bit

> differently than it usually gets talked about here. That's OK I guess,

> but just warning you up front. I've only been involved with a few

> project that we professionally mastered, and they were done by pretty

> expensive places. That said the mastering engineers did some really

> great work. So I'd say if you can afford it (which I cannot) then it

> was a good place to spend money from my experience.

>

>    The things we felt we got from professional mastering:

>

> 1) A more consistent product across all types of listening

> environments. (As stated by others, high end stereos, low end stereos,

> radio, cars, etc.)

>

> 2) A new set of ears that listened to the songs as a group and helped

> with the order they should appear in, or helped with the overall

> sounds so that one song supported the next. this gave us some good

> inputs.

That's a real point. However, it also leads to "people who knows less

accurately the structure/aims/feelings of the piece".
>

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> 3) Access to equipment that we couldn't afford, mostly in the form of

> high end compressors and limiters.

See my previous mail concerning that.

(but be aware I use Line6 amp simulators with a Leduc bass, which is, in

some way, kind of a heresy!!!)
--

Aurélien

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