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Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable=0A=0A=0A=0A________________________________=0A=0A=A0=0AHello Oleg.=A0 Your=
English is excellent.=0A=0AI've been listening to this piece over and over=
; that's not something that I usually do.=A0 "I Flying" is saying something=
, but I haven't yet figured out what it is saying.=A0 A very complex compos=
ition.=A0 Congratulations, Well Done!=0A=0AI think it's important to know a=
little background about the person reviewing your work, so that you know w=
hat their biases are.=0A=0AI'm a vocalist, coming from bass cleff, brass in=
strument school training (baritone, trombone, and tuba.)=A0 As a vocalist, =
I focus entirely on the words.=A0 As an ex-bass cleff brass player, my next=
focus is on the counter melody.=A0 My final focus is on the melody.=A0 I'm=
also sound oriented rather than visual oriented (I have bad eyesight.)=0A=
=0AThere's another follower of this list who is most definitely visually or=
iented.=A0 I hope he will listen to this piece and give us his visual inter=
pretation of the work.=A0 For now, here's my sound interpretation:=0A=0AThe=
feel of this piece first had me thinking of Hotel California by The Eagles=
.=A0 Then it started moving into a feel of Stairway to Heaven by Led Zeppli=
n.=A0 Then it shifted into something completely different, with the ending =
coming as a total surprise to me with that final guitar 'scream'.=A0 (One o=
f the best reproductions of a human scream done with a guitar that I've eve=
r heard.)=0A=0AAs for the recorder in the piece, leave it in.=A0 It sets a =
feeling that the guitar picks up and elaborates on.=A0=A0 I=A0like the dial=
og between guitar and bass guitar, with the bass guitar picking up the feel=
ing from the guitar at around 1:22.=0A=0AThe guitar shifts into its own 'in=
tense' feeling at 1:40.=A0 At 2:33 the recorder tries to regain control and=
calmness.=A0 But to no avail, as the guitar reasserts=A0itself at 3:00 and=
then proceeds to take listener by the heart=A0and jump off a cliff!=0A=0AA=
s I said, 'I Flying' is telling a story--saying something.=A0 I wasn't exac=
tly sure when I first heard it what the message was.=A0 But there is no que=
stion=A0its message is something with very strong emotional impact.=A0=A0Yo=
ur later comments about how your life had recently had=A0sorrow in it is gi=
ving me clue.=0A=0APlease post more of your work.=A0 Thank you,=0AStephen=
=0A=0AHi, all!=0A=0AI've recently finished long-awaited(for me) instrumenta=
l composition=0A(http://www.archive.org/download/IFlying/Ash_Ya_Lechu_I_Fly=
ing_986.mp3)=0Aand need your opinions about it. If you please, tell me abou=
t my=0Acomposition/arrangement/performance/mastering etc mistakes. Sorry fo=
r=0Amy English :)=0A
--0-1955757150-1257109273=:38402
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable=0A=0A=0A=0A=0A=
=0AHi=
, all!I've recently finished long-awaited(for me) instrumental comp=
osition(http://www.archive.org/download/IFlying/Ash_Ya_Lechu_I_Flying_9=
86.mp3)and need your opinions about it. If you please, tell me about my=
composition/arrangement/performance/mastering etc mistakes. Sorry formy English :)=0AHello Oleg. Your English is excellent.=0A =0AI've been listening to this piece over and over; that's n=
ot something that I usually do. "I Flying" is saying something, but I=
haven't yet figured out what it is saying. A very complex compositio=
n. Congratulations, Well Done!=0A =0AI think it's impo=
rtant to know a little background about the person reviewing your work, so =
that you know what their biases are.=0A =0AI'm a vocalist, c=
oming from bass cleff, brass instrument school training (baritone, trombone=
, and tuba.) As a vocalist, I focus entirely on the words. As a=
n ex-bass cleff brass player, my next focus is on the counter melody. =
My final focus is on the melody. I'm also sound oriented rather than=
visual oriented (I have bad eyesight.)=0A =0AThere's anothe=
r follower of this list who is most definitely visually oriented. I h=
ope he will listen to this piece and give us his visual interpretation of t=
he work. For now, here's my sound interpretation:=0A =0AThe feel of this piece first had me thinking of Hotel California by The =
Eagles. Then it started moving into a feel of Stairway to Heaven by L=
ed Zepplin. Then it shifted into something completely different, with=
the ending coming as a total surprise to me with that final guitar 'scream=
'. (One of the best reproductions of a human scream done with a guita=
r that I've ever heard.)=0A =0AAs for the recorder in the pi=
ece, leave it in. It sets a feeling that the guitar picks up and elab=
orates on. I like the dialog between guitar and bass guita=
r, with the bass guitar picking up the feeling from the guitar at around 1:=
22.=0A =0AThe guitar shifts into its own 'intense' feeling a=
t 1:40. At 2:33 the recorder tries to regain control and calmness.&nb=
sp; But to no avail, as the guitar reasserts itself at 3:00 and then p=
roceeds to take listener by the heart and jump off a cliff!=0A&nb=
sp;=0AAs I said, 'I Flying' is telling a story--saying something. =
; I wasn't exactly sure when I first heard it what the message was. B=
ut there is no question its message is something with very strong emot=
ional impact. Your later comments about how your life had recent=
ly had sorrow in it is giving me clue.=0A =0APlease pos=
t more of your work. Thank you,=0AStephen=0A =0A=
&=
nbsp;
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