linuxaudio.org

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On Wed, Nov 14, 2007 at 01:19:04AM -0800, Kevin Cosgrove wrote:

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>

> On 10 November 2007 at 17:22, Ken Restivo  wrote:

>

> > I haven't had very good luck doing collaboration via email and

> > ftp; it seems to go much smoother and be a lot more fun live

> > with everyone in the same room, but I'm willing to try.

>

> Sure, live is like nothing else.  I want to explore what the

> strengths and weaknesses of distance collaboration might be.

>

> > I'd imagine that linux audio geeks will have have more tools in

> > common than musical styles or goals in common, but that might

> > result in some very interesting music indeed.

>

> All those differences are the same that one can experience with

> live players, no?

Sure, but you'd usually pick musicians based on some common style. Still, I'm sure whatever we come up with will be an interesting hybrid.
>

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> > Then again, we probably all use a pretty diverse suite of tools

> > too. What would the lingua franca be? An Ardour project? Ogg or

> > wavpack files? MIDI files?

> >

> > Would communication be over email? Via IRC or Jabber or

> > something more real-time-like?

>

> Man, you ask really good questions.

>

> > My stuff is here: http://www.restivo.org/blog/

>

> Nice stuff there for sure!  Being a drummer, I gotta ask, what

> are you using to get your sounds?  I really enjoy the odd-time

> stuff.

> 

Thanks! The drums are Hydrogen, almost exclusively. I like its the random-velocity and "humanize" tempo features. Though I've played a bit with tapeutape and seq24 and/or rosegarden too. There are some PD patches that do interesting drum things as well.
The live drummer I've been playing with lately ( http://www.restivo.org/blog/podpress_trac/web/169/0/morning-bell-jam-200... ), is such a monster, that nowadays no drum machine or sequencer sounds very good to me anymore.
Last night, he was playing a pattern of triplet, triplet, 4 straight 16ths, then a sextuplet in the space of 5 16ths. I'm sure there's a way to get Hydrogen to do that, but no sequencer I know of is going to *think up* stuff like that, on the fly, in the middle of a rehearsal.
- -ken

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