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Content-Type: text/plain; charset=ISO-8859-1On Sat, Feb 9, 2013 at 11:16 AM, John Rigg wrote:
> I will stress that I'm talking about audio engineering tools, not music
I was reading your post, about to vocalize the counter-argument, but you're
right, they're two entirely different things.
I'd like to add to my list of "what don't we have", music creation
software. I mean, dumbed down controls: where every settings sounds *ok*,
and some sound amazing. No amplitude spikes just cause you adjust a control
to a non-integer multiple of the blah blah, and upon filing a bug report
recieving "you should know better than to do that".
Live musicians can't deal with the chance the software will do something
crazy.
More (LV2 instrument & effect) software with dumbed down controls :)
-Harry
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On Sat, Feb 9, 2013 at 11:16 AM, John Rigg <la=
dev3@jrigg.co.uk> wrote:
I will stress that I'm talking about audio engineering tools, not music=
creation software here. I do appreciate that users of the latter have very<=
br>
different requirements.I was reading your post, about=
to vocalize the counter-argument, but you're right, they're two en=
tirely different things.I'd like to add to my list of "wha=
t don't we have", music creation software. I mean, dumbed down con=
trols: where every settings sounds *ok*, and some sound amazing. No amplitu=
de spikes just cause you adjust a control to a non-integer multiple of the =
blah blah, and upon filing a bug report recieving "you should know bet=
ter than to do that".
Live musicians can't deal with the chance the software will do some=
thing crazy.More (LV2 instrument & effect) software with dumbed dow=
n controls :)-Harry
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