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Content-Type: text/plain; charset=ISO-8859-1; format=flowed; delsp=yesOn , Louigi Verona wrote:
> http://www.louigiverona.ru/?page=projects&s=writings&t=linux&a=linux_pro...
Nice read, I'll mostly agree with you that although progress has been made,
there are still many "normal" workflows for electronic musicians that are
currently very difficult to set up to a satisfactory degree. On the plugin
front, there are some advancements that you missed out on: Faust can now
compile to LV2, so creating custom synths is a *lot* easier. Also Minaton
is a subtractive mono synth from Nick Bailey, which works quite well here.
I feel linux audio's progress is somewhat like being on a boat: when you
look at the coast it doesn't seem to go fast, but when looking at the water
beside you: one realizes the pace is quick :)
-Harry
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On , Louigi Verona <louigi.verona@gmail.com> wrote:> Would l=
ike to present an article I've written. Mostly wrote it to start a conv=
ersation and hear what others have to say on the subject.> &=
gt; http://www.louigiverona.ru/?page=3Dprojects&s=3Dwritings&t=3Dlinux&a=3D=
linux_progressNice read, I'll mostly agree with you that al=
though progress has been made, there are still many "normal" work=
flows for electronic musicians that are currently very difficult to set up =
to a satisfactory degree. On the plugin front, there are some advancements =
that you missed out on: Faust can now compile to LV2, so creating custom sy=
nths is a *lot* easier. Also Minaton is a subtractive mono synth from Nick =
Bailey, which works quite well here.I feel linux audio's pr=
ogress is somewhat like being on a boat: when you look at the coast it does=
n't seem to go fast, but when looking at the water beside you: one real=
izes the pace is quick :)-Harry
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