linuxaudio.org

On Thu, Feb 24, 2011 at 11:17:17AM -0500, Paul Davis wrote:
> what you don't know (because you're not on IRC) is the question of

quoted text
> N-point editing comes up a lot. i (and others) have argued (in my

> opinion quite successfully) that four point editing is a relic of an

> older workflow. others who have used 2, 3 and 4 point editing a lot on

> other systems have argued back. nobody has been persuaded to change

> their minds, and clearly nobody with the strong feelings in favor of

> it has been motivated thus far to implement it.

Then tell me how to do the following:
replace a range A-B by another one C-D, with user controllable

short xfades at the transitions, and so that everything to the

right of B (which may mean disjoint regions) moves as required

to make space for C-D. On all tracks, or some selected ones.

With the option to listen to each side of a transition separately,

and ajust it, without having to move away the other side.
> actually, i think i can speak clearly for carl and myself (the two

quoted text
> most active current developers; possibly most of the others too) when

> i say that we are focussed on the feedback that we get from people who

> repeatedly engage with us using the communication channels that we

> find most convenient for this work. is that perfect? no. but its the

> way things work out, at least for the last several years. the price of

> entry into the exclusive club that is #ardour is simply time, nothing

> more (or less).

I don't have the time to hang out in chat room all day. Fortunately

I also have other things to do. You can of course choose to ignore

this list and others, and emails, but using these are a far better

use of my (or anybody's) time.
> if you can live with VBAP, this may interest you:
I'm generally not interested in VBAP. I provides the worst surround

possible, even worse than most 5.1 panners. And in those rare cases where

it would be a good solution, I can derive the required signals from a more

universal encoding. 
Ciao,
--

FA
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