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Content-Type: text/plain; charset=ISO-8859-1fons wrote:
"Sequencers do this, but the possibilities are usually
rather limited."Hm. Man, I must challenge this statement. "Limited" is of course a very
general and relative term, but in
sequencers I used - FL Studio, Ableton Live and actually even latest LMMS -
you basically can automate
almost any parameter, almost any knob or control you see. I am not sure this
state can be called "rather
limited". It is functional enough for me and most other musicians in the
world.By automation I do not necessarily mean the software remembering how you
turn knobs - it can be just a
graph. When it does remember your turning, it still stores it as same
graphs, at least in FL Studio.Louigi.
--0016e6dd8ec694cdf5048264a05d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printablefons wrote:"Sequencers do this, but the possibilities are usua=
lly
rather limited."Hm. Man, I must challenge this statement. &quo=
t;Limited" is of course a very general and relative term, but inse=
quencers I used - FL Studio, Ableton Live and actually even latest LMMS - y=
ou basically can automate
almost any parameter, almost any knob or control you see. I am not sure thi=
s state can be called "ratherlimited". It is functional enoug=
h for me and most other musicians in the world.By automation I do n=
ot necessarily mean the software remembering how you turn knobs - it can be=
just a
graph. When it does remember your turning, it still stores it as same graph=
s, at least in FL Studio.Louigi.--0016e6dd8ec694cdf5048264a05d--
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