linuxaudio.org

If you were at LAC in Parma, you'd have heard a 3-part strictly

invertible counterpoint fugue I wrote, used as

an example for some distortion synthesis instruments. Just a bit of fun.
Victor

On 4 Nov 2010, at 15:48, Jörn Nettingsmeier wrote:
> On 11/04/2010 01:18 PM, Victor Lazzarini wrote:

quoted text
>> Not to mention Jazz musicians, arrangers, Debussy, Ravel,

>> Stravinsky...

>> Sounds like a teutonic idea of Musik (sorry Joern...), rather than

>> anything else.

>

> of course it is. in strict counterpoint, parallel perfect consonances

> are streng verboten, on account of being unsanglich and straight out

> hässlich.

>

> and where would we be today if such eternal truths were open to

> dispute?

> oh, erm, wait, you mean people actually do that stuff these days?

>

> (three muses exeunt, mumbling something about tempora and mores...)

>

>

>

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