[LAA] NIME 2013 deadline extended!

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Date: Tuesday, February 5, 2013 - 9:22 am

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Apologies for cross posting. Please distribute widely.

Quick reminder: Deadline for the NIME 2013 has been extended to February
12th (T). We encourage your contribution!

Best,

Kyogu Lee
Paper Chair, NIME 2013

[PLEASE FORWARD AND DISTRIBUTE. THANK YOU!]

13th International Conference on New Interfaces for Musical Expression
(NIME)
May 27-30, 2013, Daejeon + Seoul, Korea Republic
http://www.nime2013.org |
http://www.facebook.com/Nime2013

CALL FOR PARTICIPATION

On behalf of the NIME 2012 Committee, We would like to invite you to be part
of the 13th international conference on New Interfaces for Musical
Expression conference.

We invite submission of new works in the following categories:

- Paper (oral/poster/demo)
- Performance
- Installation
- Workshop

Important dates:

- Paper/performance/installation submissions and workshop proposals due:
February 12, 2013
- Review notification: March 16, 2013
- Camera-ready paper deadline: April 21, 2013

Topics include (but are not limited to):

- Novel controllers and interfaces for musical expression
- Novel musical instruments
- Augmented/hyper instruments
- Novel controllers for collaborative performance
- Sensor and actuator technologies
- Haptic and force feedback devices
- Motion, gesture and music
- Interfaces for dance and physical expression
- Multimodal expressive interfaces
- Interfaces for hearing or visually impaired for musical expression
- Interactive game music
- NIME intersecting with game design
- Robotic music
- Mobile music technology and performance paradigm
- Biological and bio-inspired systems
- Musical mapping strategies
- Interactive sonification
- Interactive sound and multimedia installations
- Musical human-computer interaction
- Interactivity design and software tools
- Interface protocols and data formats
- Sonic interaction design
- Perceptual and cognitive issues
- Performance analysis
- Performance rendering and generative algorithms
- Machine learning in performance systems
- Experiences with novel interfaces in live performance and composition
- Surveys of past work and stimulating ideas for future research
- Historical studies in twentieth-century instrument design
- Artistic, cultural, and social impact of NIME technology
- Experiences with novel interfaces in education and entertainment
- Reports on student projects in the framework of NIME related courses
- Practice-based research approaches/methodologies/criticism

Call for Papers

We welcome submissions of original research on all above-mentioned (and
other) topics related to development and artistic use of new interfaces for
musical expression. There are three different paper submission categories:

- Full paper (up to 6 pages in proceedings, longer oral presentation,
optional demo)
- Short paper/poster (up to 4 pages in proceedings, shorter oral
presentation or poster, optional demo)
- Demonstration (up to 2 pages in proceedings)

Submitted papers will be subject to a peer review process by an
international expert committee. All accepted papers will be published in the
conference proceedings, under an ISSN/ISBN reference, and will be available
online after the conference. A manuscript submitted for review cannot be
already under review for publication elsewhere, or be submitted for a second
review elsewhere while under review for NIME 2013.

Call for Performances

We welcome submission of proposals for performances. Proposed performances
should have a clear connection with the substance of the NIME conference.
Performance proposals in conjunction with paper submissions are encouraged,
but each will be judged on its own merit. Within reasonable limits, we may
be able to provide musicians to perform pieces. Typical NIME performance
pieces last for 5-15 minutes, but shorter and longer performance proposals
may also be taken into consideration.

Submitted proposals will be reviewed by an expert committee. Preference will
be given to submissions with strong evidence that the proposed performance
has already been realized or is technically feasible and within the artists'
capabilities. Documentation of the performances will be available online
after the conference.

Call for Installations

NIME 2013 will also provide several locations that can be used to exhibit
new music installation work. These are foyer location installations or
room-based installations in connection to the conference venues.
Submitted proposals will be subject to a peer review process by an
international expert committee. Documentation of the installations will be
available online after the conference.

Call for Workshops

We call for short (3 hours) or long (6 hours) workshops and tutorials. These
can be targeted towards specialist techniques, platforms, hardware, software
or pedagogical topics for the advancement of fellow NIME-ers and people with
experience related to the topic. They can also be targeted towards visitors
to the NIME community, novices/newbies, interested student participants,
people from other fields, and members of the public getting to know the
potential of NIME.

Tutorial proposers should clearly indicate the audience and assumed
knowledge of their intended participants to help us market to the
appropriate audience. Workshops and tutorials can relate to, but are not
limited to, the topics of the conference. This is a good opportunity to
explore a specialized interest or interdisciplinary topic in depth with
greater time for discourse, debate, and collaboration.

For any further information, please contact Woon Yeo (woony@kaist.edu).

-----------------------------------------
Woon Seung Yeo
Assistant Professor

Audio & Interactive Media (AIM) Lab
Graduate School of Culture Technology, KAIST
http://aimlab.kaist.ac.kr/~woony
woony@kaist.edu | woony@ccrma.stanford.edu

------------- List reminder: ------------- 0. ISMIR 2012 will take place in
in Porto (Portugal) October 8th-12th, 2012. The web site of the conference
is at http://ismir2012.ismir.net/ 1. Please do not send HTML documents to
the list 2. Please do not send attachments (pictures, Word, etc.) to the
list 3. Please do not send commercial ads to the list 4. Reuse of email
addresses found on the list for unsolicited mail is forbidden 5. To
unsubscribe, mail to "listserv@ircam.fr" the following text: unsub music-ir
or login to http://listes.ircam.fr/ 6. For assistance, mail to
"music-ir-request@listes.ircam.fr". 7. The archives of the list are at
http://listes.ircam.fr/ 8. The collective web sites of the ISMIR conferences
and all past proceedings are at http://www.ismir.net/

--B_3442871216_39453637
Content-type: text/html;
charset="US-ASCII"
Content-transfer-encoding: quoted-printable

  Apol=
ogies for cross posting. Please distribute widely.  Quick reminder: Dea=
dline for the NIME 2013 has been extended to February 12th (T). We encourage your contribution!  Best,  Kyogu Lee<=
/span>  Paper Chair, NIME 2013[PLEASE FORWARD AND DISTRIBUTE. THANK YOU!]13th International Conference on New=
Interfaces for Musical Expression (NIME)May 27-30, 2013, Dae=
jeon + Seoul, Korea Republicht=
tp://www.nime2013.org
 | http://www.facebook.com/Nime2013CALL FOR PARTICIPATIONOn behalf of th=
e NIME 2012 Committee, We would like to invite you to be part of the 13th in=
ternational conference on New Interfaces for Musical Expression conference.&=
nbsp;We invite submission of new works in the foll=
owing categories:- Paper (oral/poster/demo)<=
div>- Performance- Installation- WorkshopImportant dates:- Paper/p=
erformance/installation submissions and workshop proposals due: Febr=
uary 12, 2013- Review notification: March 16, 2013- Camera-ready paper deadline: April 21, 2013<=
/div>Topics include (but are not limited to):=
- Novel controllers and interfaces for musical expression- Novel musical instruments- Augmented/hyper instruments- Novel controllers for collaborative performance- Senso=
r and actuator technologies- Haptic and force feedback devices- Motion, gesture and music- Interfaces for dance and phy=
sical expression- Multimodal expressive interfaces- In=
terfaces for hearing or visually impaired for musical expression-=
Interactive game music- NIME intersecting with game design=
- Robotic music- Mobile music technology and performance par=
adigm- Biological and bio-inspired systems- Musical ma=
pping strategies- Interactive sonification- Interactiv=
e sound and multimedia installations- Musical human-computer inte=
raction- Interactivity design and software tools- Inte=
rface protocols and data formats- Sonic interaction design<=
div>- Perceptual and cognitive issues- Performance analysis=
- Performance rendering and generative algorithms- Machine l=
earning in performance systems- Experiences with novel interfaces=
in live performance and composition- Surveys of past work and st=
imulating ideas for future research- Historical studies in twenti=
eth-century instrument design- Artistic, cultural, and social imp=
act of NIME technology- Experiences with novel interfaces in educ=
ation and entertainment- Reports on student projects in the frame=
work of NIME related courses- Practice-based research approaches/=
methodologies/criticismCall for =
PapersWe welcome submissions of original resea=
rch on all above-mentioned (and other) topics related to development and art=
istic use of new interfaces for musical expression. There are three differen=
t paper submission categories:- Full paper (up to =
6 pages in proceedings, longer oral presentation, optional demo)-=
Short paper/poster (up to 4 pages in proceedings, shorter oral presentation=
or poster, optional demo)- Demonstration (up to 2 pages in proce=
edings)Submitted papers will be subject to a peer =
review process by an international expert committee. All accepted papers wil=
l be published in the conference proceedings, under an ISSN/ISBN reference, =
and will be available online after the conference. A manuscript submitted fo=
r review cannot be already under review for publication elsewhere, or be sub=
mitted for a second review elsewhere while under review for NIME 2013.=
Call for PerformancesWe welcome submission of proposals for performances. Proposed p=
erformances should have a clear connection with the substance of the NIME co=
nference. Performance proposals in conjunction with paper submissions are en=
couraged, but each will be judged on its own merit. Within reasonable limits=
, we may be able to provide musicians to perform pieces. Typical NIME perfor=
mance pieces last for 5-15 minutes, but shorter and longer performance propo=
sals may also be taken into consideration. Submit=
ted proposals will be reviewed by an expert committee. Preference will be gi=
ven to submissions with strong evidence that the proposed performance has al=
ready been realized or is technically feasible and within the artists' capab=
ilities. Documentation of the performances will be available online after th=
e conference.Call for Installati=
onsNIME 2013 will also provide several locatio=
ns that can be used to exhibit new music installation work. These are foyer =
location installations or room-based installations in connection to the conf=
erence venues. Submitted proposals will be subject to a peer=
review process by an international expert committee. Documentation of the i=
nstallations will be available online after the conference.Call for WorkshopsW=
e call for short (3 hours) or long (6 hours) workshops and tutorials. These =
can be targeted towards specialist techniques, platforms, hardware, software=
or pedagogical topics for the advancement of fellow NIME-ers and people wit=
h experience related to the topic. They can also be targeted towards visitor=
s to the NIME community, novices/newbies, interested student participants, p=
eople from other fields, and members of the public getting to know the poten=
tial of NIME. Tutorial proposers should clear=
ly indicate the audience and assumed knowledge of their intended participant=
s to help us market to the appropriate audience. Workshops and tutorials can=
relate to, but are not limited to, the topics of the conference. This is a =
good opportunity to explore a specialized interest or interdisciplinary topi=
c in depth with greater time for discourse, debate, and collaboration.=
For any =
further information, please contact Woon Yeo (woony@kaist.edu).----------------------------------------- Woon Seung Yeo Assistant Pro=
fessor Audio & Interactive Media=
(AIM) Lab Graduate School of Culture Tec=
hnology, KAISThttp://aimlab.k=
aist.ac.kr/~woony
woony@kaist.edu | woony@ccrma.stanford=
.edu
------------- List remin=
der: ------------- 0. ISMIR 2012 will take place in in Porto (Portugal) Octo=
ber 8th-12th, 2012. The web site of the conference is at http://ismir2012.ismir.net/ 1. Please do no=
t send HTML documents to the list 2. Please do not send attachments (picture=
s, Word, etc.) to the list 3. Please do not send commercial ads to the list =
4. Reuse of email addresses found on the list for unsolicited mail is forbid=
den 5. To unsubscribe, mail to "listserv@=
ircam.fr
" the following text: unsub music-ir or login to http://listes.ircam.fr/ 6. For assistance, =
mail to "music-ir-request@=
listes.ircam.fr
". 7. The archives of the list are at http://listes.ircam.fr/ 8. The collective web s=
ites of the ISMIR conferences and all past proceedings are at http://www.ismir.net/

--B_3442871216_39453637--

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[LAA] NIME 2013 deadline extended!, Kyogu Lee, (Tue Feb 5, 9:22 am)